From Metaphor to Metonym: Shakespearean Recognition in the United States University

JOURNAL ARTICLE published 23 November 2023 in Multicultural Shakespeare: Translation, Appropriation and Performance

Authors: Carla Della Gatta

From Race and Orientalism in A Midsummer Night’s Dream to Caste and Indigenous Otherness on the Indian Screen

JOURNAL ARTICLE published 30 December 2022 in Multicultural Shakespeare: Translation, Appropriation and Performance

Authors: Archana Jayakumar

Introduction: “With Such Perfection: ” Imagining Utopia through Shakespeare

JOURNAL ARTICLE published 30 December 2022 in Multicultural Shakespeare: Translation, Appropriation and Performance

Authors: Delilah Bemudez Brataas | Magdalena Cieślak | Anna Kowalcze-Pawlik

“To Make Dark Heaven Light:” Transcending the Tragic in Sintang Dalisay

JOURNAL ARTICLE published 30 December 2022 in Multicultural Shakespeare: Translation, Appropriation and Performance

Authors: Anne Nichole A. Alegre

Taming the Glitter Ball: A Diagnosis of Shakespeare ‘for all time’—Sketched from South Africa

JOURNAL ARTICLE published 14 December 2022 in Multicultural Shakespeare: Translation, Appropriation and Performance

Authors: Laurence Wright

Theatre Reviews

JOURNAL ARTICLE published 14 December 2022 in Multicultural Shakespeare: Translation, Appropriation and Performance

Authors: Marinela Golemi | Xenia Georgopoulou

Black, White and Blue: Pregnancy and Unsettled Binaries in The Masque of Blackness (1605)

JOURNAL ARTICLE published 30 December 2020 in Multicultural Shakespeare: Translation, Appropriation and Performance

Authors: Pascale Aebischer | Victoria Sparey

Translation as Rewriting: Cultural Theoretical Appraisal of Shakespeare’s "Macbeth" in the Ewe language of West Africa

JOURNAL ARTICLE published 30 December 2018 in Multicultural Shakespeare: Translation, Appropriation and Performance

Authors: G. Edzordzi Agbozo

A Cognitive Approach to Shakespeare Plays in Immersive Theatre: With a Special Focus on Punchdrunk’s "Sleep No More" in New York (2011-) and Shanghai (2016-)

JOURNAL ARTICLE published 30 June 2020 in Multicultural Shakespeare: Translation, Appropriation and Performance

Authors: Emi Hamana

Performing Calibanesque Baptisms: Shakespearean Fractals of British Indian History

JOURNAL ARTICLE published 30 June 2021 in Multicultural Shakespeare: Translation, Appropriation and Performance

Authors: Arup K. Chatterjee

Shakespeare and National Mythologizing in Czech Nineteenth Century Drama

JOURNAL ARTICLE published 22 April 2016 in Multicultural Shakespeare: Translation, Appropriation and Performance

Authors: Martin Procházka

Theatre Reviews

JOURNAL ARTICLE published 2014 in Multicultural Shakespeare: Translation, Appropriation and Performance

Authors: Thea Buckley | Saffron Walkling

‘How can you say to me I am a King?’: New Historicism and its (Re)interpretations of the Design of Kingly Figures in Shakespeare’s History Plays

JOURNAL ARTICLE published 30 June 2021 in Multicultural Shakespeare: Translation, Appropriation and Performance

Authors: James Dale

Book Reviews

JOURNAL ARTICLE published 15 March 2022 in Multicultural Shakespeare: Translation, Appropriation and Performance

Authors: Zeyuan Hu | Jie Tang | Guixia Xie

Foreword: What Is Shakespeare? Who Is He? And When Is Shakespeare Himself Again?

JOURNAL ARTICLE published 30 December 2019 in Multicultural Shakespeare: Translation, Appropriation and Performance

Authors: Tom Clayton

Open-air Appropriations: Shakespeare from Sand Harbor to Balmoral Beach

JOURNAL ARTICLE published 1 January 2010 in Multicultural Shakespeare: Translation, Appropriation and Performance

Authors: Rosemary Gaby

From Printed Text to Stage Version: Reshaping Shakespeare for Performance – "Edward III" at the National Theatre in Bucharest

JOURNAL ARTICLE published 1 January 2010 in Multicultural Shakespeare: Translation, Appropriation and Performance

Authors: George Volceanov

Horrible Imaginings: Jan Kott, the Grotesque, and “Macbeth, Macbeth”

JOURNAL ARTICLE published 15 March 2022 in Multicultural Shakespeare: Translation, Appropriation and Performance

Authors: James Tink

Introduction: Jan Kott and Posthumanist Entanglements

JOURNAL ARTICLE published 15 March 2022 in Multicultural Shakespeare: Translation, Appropriation and Performance

Authors: Monika Sosnowska | Robert Sawyer

The Myth of Total Shakespeare: Filmic Adaptation and Posthuman Collaboration

JOURNAL ARTICLE published 15 March 2022 in Multicultural Shakespeare: Translation, Appropriation and Performance

Authors: Seth Lewis